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Why do we say that the idea of realistic perspective is socially and culturally specific? Provide three specific reasons to illustrate your answer Custom Essay

1) Why do we say that the idea of realistic perspective is socially and culturally specific? Provide three specific reasons to illustrate your answer.

2) Explain the practice of intertextuality as it pertains to postmodern aesthetics. How does the practice of intertextuality address the postmodern subject?

3) What do we mean by the idea that the gaze is a relational activity? Explain this idea with reference to two specific theoretical formulations of the concept of the gaze.

4) How has modernity shaped our visual experience of the world? What are some of the social conditions that emerged with modernity that influenced how we come to see and look?

5) From the textbook, identify what you think can be considered a globally significant visual text. Where is it from? How did it get made? How has it circulated globally? What, in fact, makes this text globally significant?

6) The idea of photographic truth is closely tied to the idea of scientific vision. Explain this connection, along with how both ideas are faulty.

7) In the 20th Century, Institutional Critique emerged to challenge the way visual art came to be produced, curated and exhibited. How does the institutional context through which we come to experience an image help shape our understanding of visual culture? What are the roles of institutions in preserving certain ideas of authenticity regarding art and images? What are some examples artwork that has challenged these ideas?

8) Sturken and Cartwright argue that the notion of the subject has radically changed in the era of postmodernism. Explain why they say this with reference to three particular ways in which this has happened. What are some ways in which visual producers have tapped into this shift?

9) Under capitalism, consumption itself has come to be a profoundly visual activity. Discuss what is meant by this phrase drawing upon three specific ways in which consumption manifests as a visual activity.

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